This page is undefined, it's more of an open creative space for journalists, poets and advocates on much needed cause. I write,I poet,I lesbian, I journalist..... therefore i post.

All items on this page belong to their respected owners accept for the items, i write personally.


I have seen the first photo a lot on tumblr and I thought I would tell you guys the story behind this house. Since I could remember this house has always been pink. It is a block away from my mothers job and my siblings and I were always amazed by it. A pink house in park slope. Beautiful.
Anyway the house was painted pink by a man who’s wife had lost her fight to breast cancer in honor of her. When he painted it pink as you could assume many people on the block were upset. Because it diminished the value property of the area.
The women in the first photo is Solange, Beyonce’s sister. I remember when she did the photoshoot there. My brother and I saw her on my way to see my mother and stopped to watch.
In the second photo is the house a week ago from today. Sadly the man died and the community too no time to repaint the house back to it’s original color which broke my heart.

(via anindiscriminatecollection)



Homeless shelter is transformed into 5-star restaurant, hot food and warm hearts all around.  See the full video here. 

I watched the video and I thought it was great. Because it’s not just like, nice food or whatever, it’s being treated like a guest. The people who staged this also made a 5k donation as well as handing out fancy gift bags that had basic self-care items/toiletries which are in really high demand because people will donate food but never think about hairbrushes, soap, toothpaste, et cet.

Not only that but i really appreciate the sentiment here that’s so against that whole poverty policing, “poor people don’t deserve anything nice ever” bullshit that’s getting louder in our society.

(via dilemmagoldman)

A nation of slaves

It’s also quite scary when you consider that we’re entering an era of technological unemployment. More and more jobs are being automated: they aren’t going to provide money, social validation, or occupation for anyone any longer. We saw this first with agriculture and the internal combustion engine and artificial fertilizers, which reduced the rural workforce from around 90% of the population in the 17th-18th century to around 1% today in the developed world. We’ve seen it in steel, coal, and the other 19th century smokestack industries, which at their peak employed 30-50% of the population in factories—an inconceivable statistic today, even though our net output in these areas has increased. We’re now seeing it in mind-worker fields from law (less bodies needed to search law libraries) through architecture (3D printers and CAD software mean less time spent fiddling with cardboard models or poring over drafting tables). Service jobs are also being automated: from lights-out warehousing to self-service checkouts, the number of bodies needed is diminishing.

We can still produce enough food and stuff to feed and house and clothe everybody. We can still run a growth economy. But we don’t seem to know how to allocate resources to people for whom there are no jobs. There’s a pervasive cultural assumption that people who don’t work are shirkers or failures, rather than victims of technological change, and this is an enabler for populist politicians who campaign for support from the frightened (because embattled) working majority by punishing the unlucky, rather than admitting that the core assumption—that we must starve if we can’t find work—is simply invalid.

I tend to evaluate the things around me using a number of rules of thumb, one of which is that the success of a social system can be measured by how well it supports those at the bottom of the pile—the poor, the unlucky, the non-neurotypical—rather than by how it pampers its billionaires and aristocrats. By that rule of thumb, western capitalism did really well throughout the middle of the 20th century, especially in the hybrid social democratic form: but it’s now failing, increasingly clearly, as the focus of the large capital aggregates at the top (mostly corporate hive entities rather than individuals) becomes wealth concentration rather than wealth production. And a huge part of the reason it’s failing is because our social system is set up to provide validation and rewards on the basis of an extrinsic attribute (what people do) which is subject to external pressures and manipulation: and for the winners it creates incentives to perpetuate and extend this system rather than to dismantle it and replace it with something more humane.

(Source: azspot)


Red Origins: This awesome animated kickstarter needs your help and support.

Red Origins is an original animation created both Onyi and Obi Udeh (O.0 Brothers? Yes). The two started working on Red Origins as a hobby two years ago before they realized they had written a fun and exciting story that retold African Oral Folklore and introduced Juju to the world. Onyi and Obi then created Kolanut Productions, an independent production company, in order to bring their characters to life. Now with your help Kolanut Productions can bring this original series to life.

We are raising funds to pay animators, writers, and editors to put out a top quality pilot episode for Red Origins. We currently have several artist on standby waiting for us reach our financial goals. After we finish the pilot we will use our access to various networks to get Red Origins aired. If the network route isn’t to our advantage then the Red Origins team will put out a web based series. We are determined to share this story with the world at all costs (that we can afford).

(via black-culture)


In Photos: “Signares” by Fabrice Monteiro.

Exploring history and fashion along the west coast of Africa, for his series ‘Signares' Belgian-Beninese photographer Fabrice Monteiro recalls a time in history where distinct cultures collided.

As European traders and explorers began to ascend on Africa’s west coast around the 15th and 16th century, as these men where forbidden from bringing their families and wives from their home countries, they began to intermingle and intermarry with African women in the Senegambia region. As a result of these relations, many of these women began to orchestrate business dealings to their benefits “using these partnerships to bolster their socioeconomic standing and personal trading enterprises”. One signare in the 1770s from St Louis, Senegal, is noted to have been a property owner and dealer as she bought and sold property in Saint-Domingue, while “five other signares in Gorée signed a petition against a poorly run French company that had been awarded an exclusive contract with the island”. 

Although these relations were not at first recognized by colonial and European authorities, it later became acceptable for Europeans living in Senegal to marry and have their descendants profit from these unions through heritage rights. Most of these women were considered to be of a high class and often married “middle-class executives or French and English aristocrats”. Naturally, a new sense of fashion was born as the women combined their own traditional styles with European attire at the time.

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All Africa, All the time.

(via hopeful-faith)